While few young children are now born on boats, the ocean is still very much their playground – as demonstrated by Enal, photographed playing with his pet shark in Wangi Wangi, Indonesia. Photograph: James Morgan.

‘Unsustainable sea-farers: the last Bajau sea nomads’ in The Guardian.

While few young children are now born on boats, the ocean is still very much their playground – as demonstrated by Enal, photographed playing with his pet shark in Wangi Wangi, Indonesia. Photograph: James Morgan.

‘Unsustainable sea-farers: the last Bajau sea nomads’ in The Guardian.

Love this logo. (TBWA/India for MKV Household Products).

‘Elephant Combs’ on Logo Design Love.

Love this logo. (TBWA/India for MKV Household Products).

‘Elephant Combs’ on Logo Design Love.

Hayley Williams.

onetinyhand.

Hayley Williams.

onetinyhand.

“A 12-year-old in his cell at the Harrison County Juvenile Detention Center in Biloxi, Mississippi. The window has been boarded up from the outside.”

‘Uncompromising Photos Expose Juvenile Detention in America’ — Wired.com.

“A 12-year-old in his cell at the Harrison County Juvenile Detention Center in Biloxi, Mississippi. The window has been boarded up from the outside.”

‘Uncompromising Photos Expose Juvenile Detention in America’ — Wired.com.

Would you look at that pretty thing!

Rdio Tee on United Pixelworkers.

Would you look at that pretty thing!

Rdio Tee on United Pixelworkers.

‘The 21st-Century American Prom’

Photo gallery on Smithsonian.com.

‘The 21st-Century American Prom’

Photo gallery on Smithsonian.com.

Based on footage from Alfred Hitchcock’s “Rear Window” (1954)

“I dissected all of Hitchcock’s Rear Window and stiched it back together in After Effects. I stabilized all the shots with camera movement in them. Since everything was filmed from pretty much the same angle I was able to match them into a single panoramic view of the entire backyard without any greater distortions. The order of events stays true to the movie’s plot.”

‘Hitch’ — a visual installation by Jeff Desom.

Based on footage from Alfred Hitchcock’s “Rear Window” (1954)

“I dissected all of Hitchcock’s Rear Window and stiched it back together in After Effects. I stabilized all the shots with camera movement in them. Since everything was filmed from pretty much the same angle I was able to match them into a single panoramic view of the entire backyard without any greater distortions. The order of events stays true to the movie’s plot.”

‘Hitch’ — a visual installation by Jeff Desom.

“Makpal Abrazakova, a lawyer and Kazakhstan’s sole female eagle hunter.”

Via kateoplis.

Makpal Abrazakova, a lawyer and Kazakhstan’s sole female eagle hunter.”

Via kateoplis.

“  …the Academy Awards are like teen-age sex. It’s all about the fizzing buildup, and the self-persuading aftermath: the occurrence itself, nowadays, is nothing but fumble and flub, though, to hear the crowing tones of the participants, you’d swear that they were souls in bliss.

✐ ‘Culture Desk: The Oscars: Man or Muppet?’ — The New Yorker.

Martin Parr on ‘Iconic Photos’.

Martin Parr on ‘Iconic Photos’.

Each row is all of the (present) members of one year’s given category (I’m only using actors and actresses here). On far right, I’ve included the reaction of the winners just for good measure.

‘How they lost’ — fourfour.

Each row is all of the (present) members of one year’s given category (I’m only using actors and actresses here). On far right, I’ve included the reaction of the winners just for good measure.

‘How they lost’ — fourfour.

“8:55 p.m. In a cab headed back to Brooklyn. It was weird being alone at the shows, and frustrating to not be able to form intelligent opinions about what I’m seeing. “Those sleeves are long.” I wonder if Mr. Hilfiger knew I was wearing a pair of his company’s underwear that I bought at a Marshall’s near my parents’ house. Probably not.

‘Feature: Man vs. Fashion Week’ — The Daily.

8:55 p.m. In a cab headed back to Brooklyn. It was weird being alone at the shows, and frustrating to not be able to form intelligent opinions about what I’m seeing. “Those sleeves are long.” I wonder if Mr. Hilfiger knew I was wearing a pair of his company’s underwear that I bought at a Marshall’s near my parents’ house. Probably not.

‘Feature: Man vs. Fashion Week’ — The Daily.